running railroad

taping, iron slippers, 2017

Topological drawing

Graphite and Pencil on Folded & Flattened Paper, 78 x110 cm, 1982-2019

running railroad

taping, iron slippers, 2017

Topological drawing

Graphite and Pencil on Folded & Flattened Paper, 54 x55 cm, 2019

함께 숨쉬다

2017, 유리에 오커, 목탄, 합성 안료, 22×542cm (12개의 패널, 각 22×45cm). 이미지 제공: 작가 및 디 하딩 컬렉션. 촬영: 롭 리틀.

running railroad

taping, iron slippers, 2017

안과 밖

Oil on Canvas_60호_2008

안과 밖

130.3x80.3cm, oil on canvas, 1999

안과 밖

2005 캔버스에 유채 130x62cm

Untitled

80.3x130.3cm, oil on canvas, 1967

Inside, Outside

1986, oil on canvas, 195 x 130 cm

안과 밖

Oil on Canvas, 80호, 2008

전시전경

야상곡 No. 20 대위법

2013/2020, 퍼포먼스/설치, 피아노 연주, 인쇄된 종이 위에 연필 드로잉, 29 × 21 cm (111점)

사다리 피라미드

나무, 금속_가변설치_2024

Hat II (detail)

1994 / 2004 / 2021 fedora, showcase, pencil drawing on wood 31.5 x 36 x 14 cm Courtesy of the artist and Kukje Gallery Photo: Chunho An Image provided by Kukje Gallery

전시전경, 무지개를 그리는 법

2013

Trivialities

1999 / 2021 gold leaf on bronze 40 x 40 x 21 cm Courtesy of the artist and Kukje Gallery Photo: Chunho An Image provided by Kukje Gallery

Void-c

veneerboard, acrylic, 90x60x15cm, 2011, 개인소장

Untitled

paper work, 50x70x2cm, 1998 /ⓒ Lee Kyo Jun / PIBI Gallery 1

Untitled

1981(reprint 2019), black and white photographs, 100x95cm, ed.5분의일

Untitled

2010 Acrylic, ply wood 60 x 42.5 x 15(d) cm ⓒkyojunlee/pibigallery PreviousNext © PIBIGALLERY

Untitled

black and white photographs 40 X 45 cm (each) 1980 ⓒLee Kyo Jun / PIBI GALLERY

Untitled

black and white photograph, 50x60cm, 1981(each) /ⓒ Lee Kyo Jun / PIBI Gallery

회귀 SH100022

캔버스에 아크릴릭, 오일, 181.8x227.3cm, 2010

PK95008

162x130.3cm, Acrylic and oil on canvas, 1995

Water Drops

1973, oil on canvas, 199 x 123 cm

SH93006

160.5x96.5cm, acrylic and oil on canvas, 1993

Water Drops

1973, Oil on linen, 99.5ⅹ99cm

Water Drops

2012, oil on canvas, 162 x 112 cm

시집가는 날

종이에 채색, 1983, 개인소장

금산사의 추녀

1983, 한지에 수묵채색, 136×137cm, 경남도립미술관 소장. 《지역 작가 조명전 Ⅲ - 단색 및 다색 회화전 박생광》(2004) 출품작.

단군

1970s Ink, Color on paper_67×42.7cm

무속

한국화, 종이에 수묵채색, 133x134cm, 1985

호랑이

종이에 먹, 색_63×42cm_1970년대

청담대사

1980s Ink, Color on paper_119x83.8cm

Venetian Rhapsody – The Power of Bluff

2016-17. Neon, LED, Steel, Canvas, PVC. 1243x1033x111cm. Day installation view at the Korean Pavilion, 57th International Art Exhibition, La Biennale di Venezia. Photo by Riccardo Tosetto. Courtesy of the Artist

Database painting animal totem "Hello Kitty A3", 2022-2023

Acrylic paint on UV print canvas, 241 x 196 cm. Courtesy of the artist & PKM Gallery.

Venetian Rhapsody – The Power of Bluff

2016-17. Neon, LED, Steel, Canvas, PVC. 1243x1033x111cm. Night installation view at the Korean Pavilion, 57th International Art Exhibition, La Biennale di Venezia. Photo by Riccardo Tosetto. Courtesy of the Artist

Database Painting Animal Totem “Hello Kitty Twin #B3”, 2022-2023

Acrylic, oil, UV print, hand print on canvas, 60 x 60 cm. Courtesy of the artist & PKM Gallery.

The Thinker

1995-96. Toilet paper, Pepto-Bismol, Wood. Installation view at the Korean Pavilion, 57th International Art Exhibition, La Biennale di Venezia. Photo by Riccardo Tosetto. Courtesy of ARARIO Museum and the Artist.

Database Painting Animal Totem “Hello Kitty Twin Metal", 2022-2023

Acrylic, oil, UV print, hand print on metal, 150 x 120 cm. Courtesy of the artist & PKM Gallery.

Les Demoiselles d'Avignon (1907)

Museum of Modern Art, New York

<큰 새와 검은 얼굴>, A.R.118

1951, 백토, 화장토 장식, 나이트 각인, 50x47x38cm ⓒ 2023 - Succession Pablo Picasso - SACK (Korea)

Tête de femme Marianne

Colored was crayons on paper, 65.2x50.3 cm 이미지 제공: 오페라갤러리

염소 머리, A.R. 151

1952, 백토, 화장토, 파티나 장식, 부분 유약시유, 40×40×4cm(자료제공: 국립현대미술관)

메르퀴르 발레 무대 막 Stage Curtain for Soirée de Paris (known as the “Mercure Curtain”)

1924, 캔버스에 아교 물감, 392 × 501 cm Collection Centre Pompidou, Paris © Centre Pompidou, MNAM-CCI/Jean-François Tomasian/Dist. GrandPalaisRmn ⓒ 2026 - Succession Pablo Picasso - SACK (Korea)

1909, Femme assise (Sitzende Frau)

oil on canvas, 100 × 80 cm, Staatliche Museen, Neue Nationalgalerie, Berlin

Femme au Chapeau Vert (Woman in a Green Hat. Madame Cézanne.)

1894–1895

Les Grandes Baigneuses

1898–1905: the triumph of Poussinesque stability and geometric balance

The Artist's Father, Reading "L'Événement"

1866, National Gallery of Art, Washington, D.C.

Still Life with a Curtain (1895) illustrates Cézanne's increasing trend towards terse compression of forms and dynamic tension between geometric figures.

Mont Sainte-Victoire, ca.1887, Courtauld Institute of Art

카드놀이하는 사람들

캔버스에 유채, 47x56.5cm, 1895, 오르세미술관

라마처럼 보이지만 사실 알파카인 동물(The Animal that Looks Like a Llama but is Really an Alpaca)

2015, 벽지설치, 가변설치, 아이 웨이웨이 스튜디오, 리손갤러리, 베를린 노이거리엠슈나이더 제공 사진: 아이 웨이웨이 스튜디오 © Ai Weiwei Studio

궁전

2019, 주철, 143×256×185cm. 리손갤러리 제공

영원한 자전거(Forever Bicycles)

검은 샹들리에(Black Chandelier)

2017-2021, 무라노 유리, 지름 185cm 높이 240cm, 아이 웨이웨이 스튜디오, 리손갤러리, 베를린 노이거리엠슈나이더 제공. 무라노 베렌고 공방에서 제작 사진: 아이 웨이웨이 스튜디오 © Ai Weiwei Studio

십이지상

2011

조명(Illumination)

2009, 벽지설치, 컬러 프린트, 가변설치 아이 웨이웨이 스튜디오, 리손갤러리, 베를린 노이거리엠슈나이더 제공 사진: 아이 웨이웨이 스튜디오 © Ai Weiwei Studio