정관헌(靜觀軒), 마음 속으로 정해라
2012, 국립현대미술관 커미션
-어
1996, 나무, 비닐민속장판, 페인트, 130 x 140 x 3 cm, 개인 소장
Blood, Flesh, Bone
2019, wood, 68 x 52 x 236 cm
전망대
1999, 나무, 210 x 120 x 88 cm, 아트선재센터 소장
괴물의 지도, 15분
설치, 먹지드로잉, 나무 탁자, 돌, 75x109.5cm(드로잉 10점), 122.5x415x132cm(설치), 2008-2009
파도(유령, 파도, 불 중 일부)
1998-2022, 제스모나이트, c. 50 x 70 x 40 cm, 유토 원본을 제스모나이트로 캐스팅
환영의 창-1 (window-1 of illusion)
30x30cm, Pencil Acrylic on Canvas, 2017
환영의 창 (window of illusion)
30x30cm, Pencil Acrylic on Canvas, 2017
환영의 창 (window of illusion)
116.5x80cm, Pencil Acrylic on Canvas, 2017
환영의 경계 (boundaries of illusion)
72.5x50cm, Pencil, Acrylic on Canvas, 2017
환영의 경계 (boundaries of illusion)
160x174cm, Pencil, Acrylic on Canvas, 2017
환영의 경계 (boundaries of illusion)
162x336cm, Pencil, Acrylic on Canvas, 2017
1879년 미국 뉴욕 출생
1789년 영국 헤이든 브리지 출생
존 프레데릭 켄셋(John Frederick Kensett)
1816년 미국 코네티컷 주 체셔 출생
Postcard c.1914, of Contentment Island. By the early 1870s Kensett was spending considerable time at his home on Contentment Island, on Long Island Sound near Darien, Connecticut.
Trout Fisherman
oil on canvas, 1852. Thyssen-Bornemisza Museum
Upper Mississippi
oil on canvas, 1855. St. Louis Art Museum
The Old Pine, Darien, Connecticut, c. 1872
Metropolitan Museum of Art, New York City
Running Deer Shooting, Chris Crick
Oil on canvas, 193.9x130.3cm , 2010
Flowers in the Neo-White Porcelain Jar with Dragons and Clouds Design in Underglaze Iron Brown
2025, Oil on linen, 162 × 112 cm
400 Series Oil Painting
2018, Inkjet print on paper in walnut frame, 50.5 x 42.5 cm
Study of Flowers
2025, UV cured print and graphite on yellow-brown prepared paper,, 36.3 × 26.7 cm
400 Series Oil Painting
2018, Inkjet print on paper in walnut frame, 50.5 x 42.5 cm
White Lilac and Roses
2018, Oil on linen in artist's frame, 84 x 66.5 cm